Template-Type: ReDIF-Article 1.0 Author-Name: Atilla ENGİN Author-Email: enginatilla@hotmail.com Author-Workplace-Name: Cumhuriyet Üniversitesi Author-Name: Ahmet BEYAZLAR Author-Email: abeyazlar@hotmail.com Author-Workplace-Name: Gaziantep Kültür Varlıklarını Koruma Bölge Kurulu Title: AN EARLY BRONZE AGE II-III ROCK-CUT TOMB PRESENTING NEW EVIDENCE Abstract: During the drainage work performed by the municipality staff of O?uzeli, a county of the province of Gaziantep, numerous vessels and human bones came across. Thereupon, the director of the Gaziantep Museum carried out excavations in 30.09.2005-04.10.2005 in this area. The excavations brought out a nearly rectangular rock cut tomb measuring 3.70 m in length and 2-2.4 m in length. The material found in the tomb is dated to the Early Bronze Age II-III, indicating the beginning of the long-term tomb tradition earlier than the EBA III in the region. Moreover, the material indicates cultural continuity from the first to the second half of the Third Millennium BC. Rock cut tombs appear in the Upper and Middle Euphrates regions since the first half of the millennium, indicating a new tradition despite the local stone cist graves. The O?uzeli tomb determines the earlier emergence of rock cut tombs in the northern part of the Middle Euphrates region. The goods include numerous ceramic vessels, six bronze pins and two bronze earrings. Most of the vessels stowed with the human bones are broken on the floor of the tomb. The sherds and complete pots make a total of over 300 vessels laid into the tomb in different times. Ca. 15 % of the vessels are dated to the EBA II, and 85 % to the EBA III. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 1-44 Volume: 5 Issue: 5 Year: 2016 Month: Feb DOI: 10.17740/eas.art.2016-V5-01 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/557 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:5:y:2016:i:5:p:1-44 Template-Type: ReDIF-Article 1.0 Author-Name: Esra KESKİN Author-Email: esrakeskin@hitit.edu.tr Author-Workplace-Name: Hitit Üniversitesi Author-Name: Celal ÖZDEMİR Author-Email: celalesencaytasova@gmail.com Author-Workplace-Name: Kültür ve Turizm Bakanlığı Düzce Müzesi Müdürü Title: AN EXAMPLE OF ROMAN BATH ARCH?TECTURE IN AMASYA: THE TERZ?KÖY THERMAE Abstract: The Roman Bath known as the Terziköy Thermae is located in the Çivi Village connected center county of Amasya and 35 kilometers distance from there. The permission of the Ministry of Culture and Tourism, in the cooperation with Amasya Museum and Hitit University continued excavation workings during the June and July months of 2012 year. Previously, As a result of architecture and road construction work and illegal excavation were damaged Antic settlement. The remaining of the antic architecture, drilling and excavation work result was revealed. Functional characteristics of the ancient structure, consisting of different sections, understood to be a big baths. The building showed different stratigraphy features from The Early Roman Period to A. D. the sixth century. During the excavation, a large number of small findings such as terracotta, glass, minerals and coins from the period of I. Justiniaus (526-528 years) have been uncovered. According to the data of architecture, During the 600 years of the Roman Empire it has proved to be a settlement period has been settled. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 45-53 Volume: 5 Issue: 5 Year: 2016 Month: Feb DOI: 10.17740/eas.art.2016-V5-02 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/558 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:5:y:2016:i:5:p:45-53 Template-Type: ReDIF-Article 1.0 Author-Name: İlkgül KAYA ZENBİLCİ Author-Email: ilkgulkaya@yahoo.com Author-Workplace-Name: Ankara Üniversitesi Title: An Example of Italo-Greek Style: Harley 5535 (London, the British Library Harley Collection) Abstract: This study examines, the MS with the inventory number "Harley 5535" decorated in Italo-Greek style, codicologically, palaeographically and stylistically. The MS is at Harley Collection of the British Library. According to the colophon, the MS was written by Andreas of Brindisi and was completed in May 1284 (fol. 221v, 260v). Harley 5535 contains 278 parchment folios, with the dimensions of 11.2 x 7.5 cm and is a diminutive example. The text was written in Greek miniscule and majuscule was scribed in Terra d'Otranto style. The volume includes additional Psalms(ff. 1-202v: Psalms 1-150, ff. 203-203v: Psalm 151), the Odes (ff. 203v-221 and Ode 7 adds Daniel 3:46-51 on ff. 217v-218)and the Prayers (ff. 222-277v, imperfect from the beginning to the end). Besides, the MS was decorated with two ornamental headpieces, nineteen initials and a full-page miniature. Lastly, the full-page miniature of "Nathan before king David" (2 Samuel 12: 1-19) was added on a separate leaf and dated back to second half of the twelfth century. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 54-79 Volume: 5 Issue: 5 Year: 2016 Month: Feb DOI: 10.17740/eas.art.2016-V5-03 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/559 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:5:y:2016:i:5:p:54-79 Template-Type: ReDIF-Article 1.0 Author-Name: Doğan KOŞAN Author-Email: dogankosan@hotmail.com Author-Workplace-Name: Hitit Üniversitesi Title: IN ?SK?L?P, THE WOOD MOSQUES AND TOMBS HAVE BEEN BU?LT ?N ÇANTI TECHN?QUE Abstract: Cant? tradition has been used the basic building materials in areas where there are plenty of forests. Especially in mountain villages not only in mosques and tombs; houses, churches, barns, is a technique that has been applied in buildings such as warehouses. basic construction techniques in architecture can be said of mountain villages.Cant?  technique; A method of integrally formed with the tree to be fitted on top. Ground floor sitting on the thick tree stumps or stones, masonry structures built of wood, was built with each other at the edges with Kurtbogazi passed the tree screen. Superimposed trees are nailed to the top and bottom holes of trees to interlocking is passed. Çorum city, the northern regions of ?skilip is forestry areas. Oak and pine trees in the region are common tree species and  the Çant? technique is seen as widely used in the local architecture. Roughly hewn wood planks that make up Canter is purified from the bark. In the middle of the tree trunk is achieved in two separated two parts. A face of these parts sawmills harvested properly. The other faces sometimes is sometimes harvested in three directions with roughly sawmills or ax in either direction. In this notice, ?skilip mosques and tombs built in çant? technique have been examined and  discussed  in the place of the Black Sea Region religious architecture. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 80-92 Volume: 5 Issue: 5 Year: 2016 Month: Feb DOI: 10.17740/eas.art.2016-V5-04 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/560 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:5:y:2016:i:5:p:80-92 Template-Type: ReDIF-Article 1.0 Author-Name: Candaş KESKİN Author-Email: candas5206@hotmail.com Author-Workplace-Name: Kültür ve Turizm Bakanlığı Title: SELECTIONS OF TURKISH ART CRITISM FROM MODERN ART TO THE POSTMODERN/CONTEMPORARY ART OR ACTUAL ART DURING THE TRANSITION PERIOD Abstract: The whole world of chaos World War II, has become the wreckage of the world in every aspect. Debris removal and repair efforts, have become the consciousness of mankind. The political and economic collapse is seen as a reaction against the art. It has now been left behind modern art or modernity. Something new, unregulated art nouveau should create its own rules. Instead of the traditional academic style of every object in the picture is used as eclectic Conceptual art collected under frame, body art, performance art, collage average, seen meaningless reveal new forms of art such as abstract expressionism would. Contemporary art manifesto is only written documents or images, pop art is in life anymore. World also state that while the presence of the arts in our country is still a matter of debate. America and European countries because of the process of transition to speculate until traditional arts contemporary art, guided art, abstract art in the chaos of trying to find a place must determine the Turkish artist side. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 93-104 Volume: 5 Issue: 5 Year: 2016 Month: Feb DOI: 10.17740/eas.art.2016-V5-05 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/561 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:5:y:2016:i:5:p:93-104