Template-Type: ReDIF-Article 1.0 Author-Name: H. Kübra ENSERT Author-Email: hkensert@yahoo.com Author-Workplace-Name: Hitit Üniversitesi Title: THE CHILD DESCRIPTION IN THE GOLDEN PENDANT OF NORBERT SCHIMMEL COLLECTION CAN BE GODDESS ZINTUHI Abstract: This article titled ?The child description in the Golden Pendant Of Norbert Schimmel Collection can be goddess Zintuhi? deals with the golden pendant now in the Metropolitan Museum of Art. The aim of this article is to try to reconsider the identification of the nude child on the lap of the goddess under the light of the Hittite written documents once again. The pendant dates to Hittite Empire Period. It is 4. 3 cm tall and weights 23.2 gr. The goddess with discus headdress sits in a chair with lion claws armrests and legs, and the child which is 1.5 cm tall sits on the goddess? lap. The goddess is identified as Sun Goddess of Arinna because of the headdress. However the headdress is not enough to identify the name of the goddess by itself. The presence of the lion claws of the chair is the significant factor indicating that the figure is Sun Goddess of Arinna. Hepat, the chief goddess of Hittite?s stands on a female lion in Yaz?l?kaya. At time of Hattu?ili III Goddess Hepat and Sun Goddess of Arinna was regarded to be the same. The nude child should be a girl because of the pubic triangle and the granddaughter of Sun Goddess of Arinna. Queen Puduhepa states in one of her prayer that Zintuhi is a breast ornemant for her grandmother and grandfather. Ahmet Ünal states that her grandmother and grandfather was carrying Zintuhi on their breast or lap. If Zintuhi does what the queen desires her to do, Puduhepa promises her that she will have a big ornament made for her. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 1-11 Volume: 8 Issue: 8 Year: 2016 Month: Feb DOI: 10.17740/eas.art.2017â€�V8â€�01 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/569 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:8:y:2017:i:8:p:1-11 Template-Type: ReDIF-Article 1.0 Author-Name: Esra KESKİN Author-Email: esrakeskin@hitit.edu.tr Author-Workplace-Name: Hitit Üniversitesi Title: STONE SLAB WITH JESUS AND ANGELS EXHIBITED IN SINOP MUSEUM Abstract: In the Byzantine period, a stone slab believed to belong to the Balatlar Church which has an important religious position in Sinop Province is the subject of this article. "Jesus and angels" are depicted as low reliefs on the stone slab in the rectangular form, which is still exhibited at the Sinop Museum Garden. This depict is rarely seen in the Byzantine art when it is considered in the context of the subjects depicted in stone works. For this reason, the examination of the depiction on the stone work and the identification of the place in the stone artifacts of Byzantine art form the main purpose of this article. It is thought that the work under the light of the available data is a sheet belonging to a lintel or iconostasis section on the church entrance gate. It was dated to the Middle Byzantine period by the monograms on the plate and the way from the ornament. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 12-18 Volume: 8 Issue: 8 Year: 2016 Month: Feb DOI: 10.17740/eas.art.2017-V8-02 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/570 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:8:y:2017:i:8:p:12-18 Template-Type: ReDIF-Article 1.0 Author-Name: Engin EROĞLU Author-Email: engin.eroglu@amasya.edu.tr Author-Workplace-Name: Amasya Üniversitesi Title: PRE-ISLAMIC TURKISH FREE TRADE MARKETS Abstract: As it is impossible for people to meet their various needs by themselves, they have been in a constant search to ensure their needs that they can not meet.. In this sense Turks have tried to meet their needs by exchange along with mutualisation. While property exchange or swap have been made randomly in the past, markets have been established at some certain places for this purpose. It is necessary to talk about international property exchange in these markets besides swapping between small groups of individuals. In this context Turkish States generally established free trade markets at border regions to trade securely with neighboring countries. They economically traded with both eastern and western countries via these markets Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 19-25 Volume: 8 Issue: 8 Year: 2017 Month: Feb DOI: 10.17740/eas.art.2017â€�V8â€�03 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/576 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:8:y:2017:i:8:p:19-25 Template-Type: ReDIF-Article 1.0 Author-Name: Muzaffer DOĞANBAŞ Author-Email: sanat_tarihci@yahoo.com Author-Workplace-Name: Kültür ve Turizm Bakanlığı Amasya Müzesi Title: KAYI TR?BE STAMPED W?NDOW W?NGS EXH?B?TED ?N AMASYA MUSEUM Abstract: In addition to the small amount of written sources about the ancestry of the Turks and the Oguz tall, there are not enough field studies about the symbols and stamps of these tallies. Unfortunately, academic research is not at a level that should be done about the detection and inventory of existing works. Within the borders of Amasya province, the stamp samples can only be found in a single work. These stamps, which are seen in the wings belonging to a window belonging to II. Bâyezid Kulliyesi Mosque dated 1486, are among the original and distinguished practices. These wings, which are being exhibited in Amasya Museum today, are also first class examples of Ottoman wooden workmanship. In this study, it was tried to explicate Kay? Tribe stamps on window wings. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 26-31 Volume: 8 Issue: 8 Year: 2017 Month: Feb DOI: 10.17740/eas.art.2017-V8-04 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/577 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:8:y:2017:i:8:p:26-31 Template-Type: ReDIF-Article 1.0 Author-Name: Rafet KARAÇAL Author-Email: rafetkrcl.kultur@gmail.com Author-Workplace-Name: Kültür ve Turizm Bakanlığı Samsun Müzesi Title: AN OTTOMAN HOUSE IN THE BAFRA Abstract: The political events of the 18th century forced the Ottoman Empire into new quests against industrialized Europe and caused radical changes. During the 18th and 19th centuries, which were described as westernization period in the Ottoman State, changes took place in the cultural field including military, technical areas and reflected in the art environment. Following the artistic initiatives showing the effect of the preliminaries around the palace, an artistic environment for new needs was formed within the boundaries of the entire Empire after the capital Istanbul in the process. The subject of this work is the pictures on the ceiling of a minority house located in Bafra District of Samsun. In historical mansions and houses within the borders of Samsun; geometrical-vegetative adornments and writings. This house is a place to include urban and nature depictions, human and animal representations together with special shaped geometric ornaments. The fact that there is no information in the sources related to the home is required to prepare this work. While the descriptions and diversity of the ceiling paintings shed light on the history of the region, its presentation is also important. It is thought to have been built in the second half of the 19th century on the same dates as the Bafra Museum next to the house. However, this work is important in terms of destruction in pictures and introduction to younger generations. Journal: Avrasya Sanat ve Medeniyet Dergisi Pages: 32-43 Volume: 8 Issue: 8 Year: 2017 Month: Feb DOI: 10.17740/eas.art.2017-V8-05 File-URL: https://eurasianacademy.org/index.php/arthum/article/view/578 File-Format: Application/pdf Handle: RePEc:eas:arthum:v:8:y:2017:i:8:p:32-43