Template-Type: ReDIF-Article 1.0 Author-Name: Gülnaz ABDULLAZADE Author-Email: gabdullazade@rambler.ru Author-Workplace-Name: Üzeyir Hacıbeyli adına Bakü Müzik Akademisi Title: THE "GAITAGI" DANCE SPHERE IN AZERBAIJAN Abstract: The first step in study of Azerbaijani folk music and folklore was made in the 19th century by our great composer Uzeyir Hajibeyli. This path started by great composer Uzeyir Bay was successfully passed by his followers in future. It is gratifying that this tradition, founded by Uzeyir. Hajibeyli, i.e. collection of folklore samples of Azerbaijan and study of folk music heritage, continues to this day.The Gaitagi dance can be counted among the above. Gaitagi is an ancient dance, very popular in Azerbaijan at that time, but forgotten over the years. One of the main reasons is that this type of dance was not collected or researched in due time. As a result of the research, interesting information was received about the regions of Azerbaijan where this dance was performed in the historical period. According to historical facts obtained by ancient musicians and masters, it was confirmed that the names of Kaitagi dances, both their music and their melodic language, belong to the Azerbaijani people. It should be noted that other peoples of the Caucasus have similar dances in folk music. However, the language of the music of each game confirms its national character and ethnic affiliation.As a result of the study it became clear that the majority of Gaytaga dances come from the northern region of Azerbaijan (Khizi, Shabran, Guba, Gusar) and the north-western region (Sheki, Zagatala, Gakh). But besides these dances there are also similar species created in Garabagh (Shusha, Agdam), Shirvan (Agsu, Shamakhi). Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 1-4 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-01 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/312 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:1-4 Template-Type: ReDIF-Article 1.0 Author-Name: Narmin GARALOVA Author-Email: narmin82@gmail.com Author-Workplace-Name: Azerbaycan Devlet Kültür ve Sanat Üniversitesi Title: FORMATION OF MUSIC CRITICISM IN AZERBAIJAN Abstract: "Music criticism" is one of the most important branches of musicology. Its proper level leads to the healthy development of music. Scholars around the world say that music criticism is based on the controversy between the followers of Pythagoras and Aristotle in ancient Greece. Taking this into account, we can say that the basis of music criticism in Azerbaijan also began with various controversies and music gatherings. It is known that Azerbaijan, as in many areas, has made many firsts in the East in the field of culture, especially music. The great scholar, musicologist Safiyaddin Urmavi, who lived and worked in the 13th century, expressed his views on sound in his treatises, his detailed disagreements with other scholars. The French scholar Carra de Vou Urmavi's treatise "Honor" was published in the "Asian" magazine in Paris in 1891. The treatise emphasizes the nature of the discussion and controversy. The scientist Abdulgadir Maragai, who lived and created in the XI-XV centuries, also benefited from the works of his predecessors in his treatises and expressed his attitude to them. For example, in the author's treatise "Sharhul kitabuladvar" is a commentary on Urmavi's famous work "Kitabul-advar". One of the issues touched upon by the scientist in his treatises is the rules of how musicians should behave at meetings and the choice of repertoire by the characteristics of the participants. It should be noted that Urmavi also wrote in "Kabisname" about the rules of conduct of musicians at meetings. In this article, we see that the authors were critical of the behavior of musicians in the assemblies of that time and expressed their written attitude to it. Maragai's treatise Beyjat al-Ruh (The Joy of the Spirit or the One Who Pleases the Soul) is of particular importance among the most scholarly works of the time. This treatise consists of a foreword, ten chapters, and a conclusion. Chapter 10 of this work is about the behavior of a scientist, about the individual and general study and mastery of this science. Thus, in this work, the author gave 12 pieces of advice to musicians about their "behavior and morals" at various meetings. Another prominent Azerbaijani scholar is Mir Mohsun Navvab, who entered Azerbaijani science, culture and literature as a prominent encyclopedist of the 19th century. Although the beginning of Azerbaijani music criticism is associated with the emergence of journalism in our country, we note that it has its origins in the controversy, as in other countries. Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 5-9 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-02 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/313 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:5-9 Template-Type: ReDIF-Article 1.0 Author-Name: Sevda GURBANALİYEVA Author-Email: squrbanliyeva@mail.ru Author-Workplace-Name: Gence Devlet Üniversitesi Title: NIZAMI GANJEV'S POET WORLD'S PREPARATION IN TRAINING AZERBAIJAN MUSIC ART Abstract: The works of the great Azerbaijani poet and thinker Nizami Ganjavi are embodied in the musical culture of the Orient, the rich musical life of all Azerbaijan, including the ancient poet Ganja, where he lived and lived. One of the exceptional services of Sheikh Nizami, the great Azerbaijani poet and thinker, who embodied the 12th- century renaissance and the music culture of that time, is the creation of the tradition of providing music in our classical poetry. A separate musical work by Nizami Ganjavi is not yet known. However, music covers all the poetry languages of his works. Music is one of the most popular leitmotivs. The miniature of the poet's works also gives a great place to the recipe of musical instruments and musical feasts. Nizami's music connection is heard in every detail. As a result of the research, we can safely say that in Nizami's "Khamsa" each poem has its own world of music and sound. In Nizami's poems, we find pages devoted to music as a whole, but the elegant twist of the text is given more. Nizami Ganjavi's poems "Treasure of Secrets", "Khosrov and Şirin", "Leyli and Mecnun", "Seven Beauties", "İskendername", vocal and instrumental music, palace and folk music, military and lyrical music, dance music, music Aesthetic and theoretical problems of professional music based on instruments and music performers, oral tradition, mugam, classification and more, such topics are poetically interpreted. Although we cannot hear the music of the 12th century, information about the music culture of that time provides us with a basis for thinking about music culture as a whole. Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 10-17 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-03 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/314 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:10-17 Template-Type: ReDIF-Article 1.0 Author-Name: Mehmet ATAŞ Author-Email: atas.mehmet@hotmail.com Author-Workplace-Name: Marmara Üniversitesi Title: AN APPRAISAL OF THE INTELLECTUAL AND INTELLECTUAL LEADERSHIP Abstract: In this study, the concept of intellectualism, the evolution of the concept through historical processes, the differences between intellectual and enlightened, the concept of intellectual leadership and the characteristics of intellectual leadership have been examined. First of all, the emergence of the concept of the intellectual was examined and then its transformation throughout historical processes was dealt with. After examining the concept of the intellectual, the concept of intellectual leadership was scrutinized from different angles by examining the historical process of intellectualness in order to bring a critical approach to the definition of intellectual leadership. While examining the necessary characteristics for intellectual leadership, we tried to provide a new perspective from the intellectual perspective. Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 18-35 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-04 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/315 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:18-35 Template-Type: ReDIF-Article 1.0 Author-Name: M. Onur ÇELEBİOĞLU Author-Email: onur.celebioglu@hotmail.com Author-Workplace-Name: Mersin Üniversitesi Author-Name: Tarkan YAZICI Author-Email: tyazici@mersin.edu.tr Author-Workplace-Name: Mersin Üniversitesi Title: INVESTIGATION OF POSTGRADUATE THESES RELATED TO MUSIC THERAPY IN TURKEY Abstract: This study was performed with the aim of investigation and classification the graduate studies was conducted about music therapy in Turkey, according to specific characteristics. The data of the research conducted with the descriptive method were obtained by scanning the thesis in the YÖK National Thesis Center. As a result of the screening, no thesis made until 2008 was found. It has been determined that there are a total of 33 theses on the relevant subject since 2008. It was determined that most of the theses (54.54%) were made in the field of health sciences. There is only one thesis on this subject in the field of Music in the YÖK website. As a result, it is recommended to introduce the field of music therapy to undergraduate and graduate students better, to increase the number of studies in this field and to encourage studies in the field of fine arts. Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 36-41 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-05 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/316 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:36-41 Template-Type: ReDIF-Article 1.0 Author-Name: Habibe MAMMADOVA Author-Email: habishka83@mail.ru Author-Workplace-Name: Üzeyir Hacıbeyli adına Bakü Müzik Akademisi Author-Name: Rovşana KARİMOVA Author-Email: kerimova.rovshana@mail.ru Author-Workplace-Name: Azerbaycan Milli Konservatuarı Title: KARABAKH THEME IN AZERBAIJANI MUSIC Abstract: The creativity of Azerbaijani composers has always been rooted in the historical past of our people, several interesting and artistically valuable works of art reflecting the historical-heroic theme of different periods and related to the realities of the time have been created. It is known that the representatives of our national school of composition have always preferred topics that are in tune with the times and are related to real events. From this point of view, starting from the late 80s of the XX century, the occupation of our native Azerbaijan, the occupation of the lands of Karabakh, as in other fields of art, laid the foundation for the appeal to the theme of Karabakh in music. Works dedicated to the Karabakh war are an important part of the composer's work. The role of works on Karabakh in the formation of the spirit of patriotism is especially important. Works written on the theme of Karabakh are diverse in terms of genre, opera, oratorio, symphony, room, song, rap and other genres of interesting art. The first large-scale work on Karabakh was the oratorio “Karabakh Shikeste” ( "Karabakh Tragedy") composed by Vasif Adigozalov in 1989, in the words of the poet Teymur Elchin. This work was performed in both Azerbaijan and brotherly Turkey and was met with great competition. Vasif Adigozalov later addressed the military-patriotic theme, " Çəkin Qarabağdan qara əlləri” (Away black hands from Karabakh"), "Shusham, laylay" for soloist, choir and symphony orchestra and several other interesting works. And among the composer's works on Karabakh, the opera "Natavan" was a peak. The opera "Intizar" (Expectance) (formerly called "Karabakhname"), written by prominent composer Firangiz Alizade based on the libretto of Professor Nargiz Pashayeva, was an important step in conveying the Khojaly tragedy, the most terriable page on the Karabakh issue, to the world. Among the works written on Karabakh are Ramiz Mustafayev's oratorio "Salatın", "Truth is with you", "Azerbaijan" cantata, Tofig Bakikhanov's symphony "Karabakh harayı",(Karabakh voice) Agshin Alizade's "Ana torpaq", Sardar Farajov's symphonic piece “Matəm harayı” ("Mourning voice") and others. it is possible to create a long list. One of the things that unites these different styles is the expression of the Karabakh theme. It should be noted that, along with classical works, the appeal to the theme of Karabakh in various areas of modern music is striking. From this point of view, the song "Either Karabakh or Death" by the group "Deyirman" caused a great revolution in the world of national rap and became a motto in the expression of a kind of patriotic spirit. In general, the theme of Karabakh in the works of Azerbaijani composers is not only a topical issue of the time, but also an expression of national consciousness and the modern historical stage. Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 42-47 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-06 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/317 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:42-47 Template-Type: ReDIF-Article 1.0 Author-Name: Mehmet Ali KAYNAR Author-Email: mhmtalikynr@gmail.com Author-Workplace-Name: Osmaniye Korkut Ata Üniversitesi Title: CONCEPT AND IMAGE IN ART Abstract: This research is an analysis of image structure in conceptual art and art. The aim of the research is to clarify the conceptual in art and image in art.Conceptual art diverts the expression language of art from its usual 1960s expression and says that art is an intellectual process in protecting a fetish art object from being a commodity. Shaping language is an important distinction. This multilingual and multi-faceted approach brings the idea to perception through an intellectual process. The image of the lost production method, the text is changed, the concept is dealt with and manifests itself in various materials, situations and forms. The relationship between art and aesthetics is once again questioned and "aesthetic pleasure" and "beauty", which should be sought in newly created works, take their place in the thinking process.This attitude deals with ordinary and everyday life and makes you think that nothing is really ordinary. Although image or image understanding is not a concept developed by modern poetry, it is an aesthetic attitude that takes a new form with modern art. Understanding the image of the basic structure that shapes art; It takes us beyond the poet's works and consciousness, so to understand the basic elements that make up the poem it is necessary to explain the image of the poem writer and therefore consciousness. Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 48-54 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-07 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/318 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:48-54 Template-Type: ReDIF-Article 1.0 Author-Name: Şeref ALBAYRAK Author-Email: albayrakseref@hotmail.com Author-Workplace-Name: Denizli Pamukkale Üniversitesi Title: THE PERCEPTION OF CIVILIZATION IN TANZIMAT INTELLECTUALS AND SAID HALIM PASHA Abstract: The Ottoman Empire experienced one of its most radical changes in the 19th century. As a result of the developments experienced with the Tanzimat period, the concept of "civilization" attracted attention and became the subject of the approaches of the intellectuals of the period. The aim of this study is to consider the concept of civilization within the framework of the socioeconomic conditions in which it emerged in the historical process and to evaluate it within the framework of the views of Tanzimat intellectuals and Said Halim Pasha. For this purpose, first of all, the explanation of the concept and its development within the subject are given. Then, the handling of civilization in the thought of Tanzimat intellectuals was explained. Finally, Said Halim Pasha's approach to the concept of civilization was explained and the difference of his approach to the subject was revealed. Journal: Eurasian Academy of Sciences Social Sciences Journal Pages: 55-69 Volume: 33 Issue: 33 Year: 2020 Month: Mar DOI: 10.17740/eas.soc.2020.V33-08 File-URL: https://eurasianacademy.org/index.php/socialsciences/article/view/319 File-Format: Application/pdf Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:55-69